Comedian Jerry Seinfeld introduces exclusive cars and excellent colleague comedians, having coffee and cruising in the cars with them. He talks to numbers like Steve Martin, Barack Obama, Lorne Michaels, John Oliver, Judd Apatow, and many more.
Netflix offers the series with numerous seasons with German subtitles, among others. These have been accomplished by Bochert Translations in collaborations with Captions, Inc.’s German language team.
From 08-18 June, the annual theatre festival THEATERFORMEN took place in Hannover. Productions from Belgium, South Africa, Slovenia, Sweden, the U.S.A., Mexico, France, Italy, and other countries were invited. This year, the festival direction decided to not only offer magazines and material about the plays, but also to run a festival blog for bloggers to describe and announce festival contributions and events and publish interviews in various languages.
The translations for this blog were accomplished by Bochert Translations.
Image: Dizimex.com
The Turkish series “Aşktan Kaçilmaz”, shot in breathtakingly stunning Turkish Mardin, deals with love and mafia-like crimes on the border to Syria. The subtitles for Netflix are by Captions, Inc. and Bochert Translations (selected episodes).
Image: IMDB.com
An action flic on political schemes in a ficticious Eastern European country. The subtitles for Netflix are by Captions, Inc. and Bochert Translations.
A few years ago, I translated two plays of US playwright Carlos Murillo. Both DARK PLAY OR STORIES FOR BOYS and HUMAN INTEREST STORY (OR THE GORY DETAILS AND ALL) were produced by Katharina Kreuzhage and premiered at Theater Aalen – and never again since. Both of those wonderful texts would very much be worth to see new German language productions. They may be obtained from S. Fischer Verlag Theater & Medien.
Carlos Murillo now has a website of his own where he reports about his activities as a teacher, playwright, and director. He included, among others, links to our exploration of the relationship between playwright, text, and director in US theatre, which had been published on HowlRound.com as well as on HOTreview.org.